I
In the hush before my naming,
I offered libations to the empty gourd,
Where the whisper of 6pm prayers
Dripped through cracked glass rims—
Once a stream of false gods.

II
I had come late to the shrine of thirst,
Testing the tongue with wine and barley,
Neck-deep in the hush of amber evenings:
A daily communion of slow poison.
And I sang with others: “This is normal,
This is the scholar’s rite, the subtle altar.”

III
But the bed of promises was but straw—
A borrowed mat where no dreams grew,
And the totem I held was hollow.
Behind the laughter of half-known faces,
I saw the unmasked grin of parasites,
Hands always open, hearts never full.

IV
I unbound the knot of illusions:
What fruit had I plucked from these vines?
What rivers had I damned within my body?
The orchard of my belly swollen and empty,
No harvest to store, no anthem to keep—
Only the slow rot of routine.

V
In the backyard of awakening,
I leave my cup among broken shells.
I choose the naked hush of morning,
Listening to the silence of sober winds.

VI
Now, I turn my wages into bricks—
Building a home in the city of sun,
For two hearts that would be three,
A womb of promise in the gentle dawn.

VII
Like a traveler who learns the road anew,
I place my ear upon the earth:
No more the rattle of false gods,
No more the drumbeat of empty barrels.
Only the seed of tomorrow’s child,
Only the soft voice of becoming whole.

By Vincent Ogoti

Dr. Vincent R. Ogoti is an Assistant Professor of English and Global Black Studies at Clemson University.

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